In the late 1920s a Soviet-era filmmaker and his cinematographer brother film scenes from everyday life in Moscow, Kyiv and Odesa. Released in 1929, Dziga Vertov’s silent black-and-white Man with a Movie Camera depicts a wide range of human activities. Waking up and washing, work, sports and play. Underground mining, the tending of factory machines. Marriage, divorce, a birth, a mourner in a cemetery, vast crowds relaxing on a beach, street scenes thronging with traffic and people. From biplanes and steam locomotives to a manually operated telephone switchboard, an abacus and a hand-cranked cash register, through 67 minutes of moving images the film paints a picture of urban civilisation at a given stage of technological development, and the human lives within it.